"Charmed and Delighted": An Interview with Tara Lazar

Tara Lazar is a veritable whiz of boisterous, joyful, fun, and empowering picture books. She is the author of The Monstore, Little Red Gliding Hood, and many other books--including her latest, Normal Norman. 

As a teacher and a dad, Normal Norman is about everything I want my students and my kids to know and believe: that being EXACTLY who you truly, authentically are is the only real "normal" worth striving towards! 

Tara hits this beautiful message out of the park with her latest picture book, which includes an awesomely unique orangutan and a passionately empowered young female scientist. It's DEFINITELY worth buying and reading to yourself and your kids and your students many times over again!

And here's Tara's wisdom on writing, living, Normal Norman, and her love of waffles and Roald Dahl...

How did you first get the highly original and engaging idea for NORMAL NORMAN?

All I had was the title, or rather, the character’s name. I love word play so my only real thought was that it was fun to say. This kind of thing pops into my head from nowhere, so I don’t remember any specific lightning bolt of inspiration.

I’m a pantser, so sometimes ideas don’t manifest themselves fully until I’m actively writing. It seemed to make sense to introduce Norman first, so I created the junior scientist narrator. Then I knew Norman had to be very uncooperative. And the story took off from there!

You've created not only a very unique and fun and funny orangutan, Norman, but also a very empowered young female scientist! How did you arrive at the identities of these two protagonists? Did they change throughout the revision process?

I just wrote the words. S.britt created the characters. I had no idea what they looked like! I never specified what kind of animal Norman was, nor did I state that the junior scientist was female. That was all Stephan’s brilliant interpretation.

Norman started out as a lion, but he didn’t feel quite right and we all knew it. Then he was a blue lion but he looked more like a monster. Then came the purple orangutan and we all knew it—we knew it like you know about a good melon.

One line you hope kids think or feel after reading NORMAL NORMAN?

Ooh-ooh-ahh-ahh-ahh-roo-wee-ROO-WEE!

Ha ha, just kidding.

“…everyone likes being his or her normal self.” No explanation needed.

One line you hope parents / teachers / librarians think or feel afterwards?

Same for them, too!

You've got an amazing and inspiring (and hugely helpful) blog WRITING FOR KIDS WHILE RAISING THEM, and you also run PiBoIdMo, the picture book writing equivalent to NaNoWriMo (National Novel Writing Month). Can you share why you so strongly believe in, support, and create picture books?

I have always loved picture books, the unique format, the interplay between words and pictures. Honestly, I love the pictures more than anything else! I remember being in 2^nd grade and being told to read chapter books and novels. BUT THERE ARE NO PICTURES, I said. I was devastated. To this day, I still feel sorry for my 8-year-old self.

I create picture books because they are a child’s first introduction to literature and I want the children reading the books to be charmed and delighted. I want them to LOVE reading for a lifetime. Reading is instrumental to a child’s success in school and later in life. If I can reel one kid in, my job here is done! Err, I mean, my job here is ongoing!

Can you finish these lines for us...?

If I were to have a five-hour breakfast with someone, it would be...

Roald Dahl (with waffles)

If I could have a superpower it would be...

To fly.

If I had to choose between eating the same piece of fruit every day for every meal or only relying on a tractor for all forms of transportation, I would choose...

The tractor. Come on, how fun would that be?

If I could create a constellation of my own design, it would be...

Roald Dahl (with waffles)

And last: can you share a little about your journey as a writer--what has inspired and sustained you?

The kids! My readers. When I receive a fan letter, my heart melts and I feel happy, content and inspired to keep creating.

Never Wasted

After the Great Fire in London in 1666, architect Christopher Wren worked with determination to full redesign the city--getting rid of the old medieval planning and using, instead, an organized grid pattern that would make sense and allow for a new city to rise from the ashes of the fire that destroyed it.

Wren had not yet built what would become his masterpiece--St. Paul's Cathedral--but he had already proven himself to be a spirited, inspired, and clever architect. He submitted his plans for the rebuilding of London to King Charles II, but they were never adopted. The new London eventually emerged as a mere sibling to the old London. 

Wren's energy and hope--his plans for the new city--were wasted. 

When we teach, and parent, and write; when we dream and explore the world around us; when we chart a course for the journey ahead and become giddy with the possibilities--the plans don't always work out. Not the way we'd hoped they would, at least. Things change, and what we once designed in such bursts of passion and creativity sometimes seems wasted--pointless.

There is an old story I heard about ten years ago about a man and a boulder. God brings this man in front of the boulder and says, "Push." 

The man seeks to be obedient and passionate in his efforts, and so he pushes. And he pushes. And he pushes. But day after day, month after month, the boulder never moves. No matter how tirelessly the man asserts his strength, the boulder sits still. 

Finally, the man rages at God from his own apparent failure of God's direct call on his life. But God only laughs and says, "I told you to push only." 

The man becomes even more embittered--feeling this whole pursuit to be a wasted effort. But before the bitterness can consume him, God says, "Look at your arms. Look at your chest. Look at your legs." And them man is shocked to see himself: muscles have appeared and his body does, indeed, feel strong, capable, ready. 

His work was never wasted. He had assumed the call was towards an immediate result, but instead the journey had been something else altogether. God then says to the man, "Now I can move the boulder." 

Christopher Wren's inspired plans for the rebuilding of London never did come to any use in the United Kingdom. But across the Atlantic Ocean, in a city called Philadelphia, Wren's visions were given an exact reality. The whole city was built upon Wren's seemingly wasted efforts. 

When we cannot see the fruits of our work, and when we feel our work isn't worth being seen, it may be that we are growing strong though we do not realize it. It may be that we are designing cities oceans away from where our eyes now reach. 

Interview with Author Peter Adam Salomon

I'm especially delighted today to share the wise words of debut author Peter Adam Salomon, whose thrilling book Henry Franks has just been released from Flux. Peter is an incredibly inspiring guy whose commitment to writing, writers, and words is both heartening and beautiful, so I'm honored to have had the chance to ask him some questions about his book, his writing process, and how he sustains his belief in the power of words.

Can you share the process of writing HENRY FRANKS? How did you progress through the various stages of writing and revision, and what was your timeline like?

When I first started writing HENRY FRANKS, back in 2007, I had a very different book in mind. The original idea focused on the father, and how he was purposely raising a child with false information (ie: if you are taught different words for common objects, it's almost like learning a foreign language: if you believe that 'hair' refers to the stuff growing on your front lawn then that is the word you will use for 'mowing your hair'). As that first draft progressed however I became far more fascinated with the reactions of the son as he began to doubt what his father was teaching him. So I started over, trying to figure out a scenario where a teenager would need to be retaught everything about himself. Due to this switch in focus the book went from Adult Fiction to YA and then to YA Horror as the 'creepy/haunting' factor kept getting ramped up the deeper I delved into the story.

That 'first' draft with HENRY FRANKS as a YA was finished fairly quickly, then I spent almost two years in revision, trying to amp up the creepy and, most specifically, trying to make the ending 'fit' the story. The original had a 70 page flashback into the father's point of view, completely leaving the YA characters and it simply didn't work. By this time, we're talking two plus years of writing and editing. Then, after signing with my wonderful agent, Ammi-Joan Paquette, there was another year of revision, including almost another year of revision to weave that flashback into the story properly so that the ending would work before the book sold. At which point there was yet another year of edits to get the book to what is in book stores.

Looking back, of course, it's as if those years just flew right on by! At the time, obviously, it was anything but that. Still, it was worth it. The book works so much better as it is now and I hope the reader appreciates the care that everyone associated with the book has taken on it.

What excites you most about your book being released in September, and what make you the most nervous?
I love the fact that other people will be introduced to Henry and Justine. I adore these characters and am thrilled that more people will get to meet them and, hopefully, fall in love with them as well. By far, what makes me most nervous is the fear that people will not find the book as creepy as it hopefully is. Having the genre 'YA Horror' placed on the book scares me because I definitely do not want to disappoint anyone who might be expecting MORE horror in the book. HENRY FRANKS is (hopefully) a subtle, haunting type of horror, unsettling and creepy. I hope I accomplished something that respects and honors the YA Horror genre and its wonderful fans.

How did you persevere along your writing path through ups and downs to reach this moment in your career?
HENRY FRANKS is my fifth completed manuscript. My second YA. While some of the previous manuscripts aren't 'ready for prime time' and some are 'close' to publishable, it's been a long time working on getting published. It's been my dream for this since I was about twelve and to have it finally come true is surreal and wonderful and worth every moment of the years in between where I wondered if it was worth it. It most definitely was. With that said, it's important for any one who wants to write to keep one thing in mind: just keep writing. No matter what, never stop writing.
Oh, and learn to love revising! Very important!!

What makes you sit back in your chair and smile?

There was just something indescribable about seeing the cover art for the first time. Someone spent a very long time all for my book (yes, that's their job but still...), trying to capture in a single image the heart and soul of something I wrote. It encapsulates something beyond words, the work put into creating the cover and it means something to me that I'm probably not defining very well. So now, every time I see that cover, whether its online or on the book itself I can't help but smile.

And I'd be remiss not to mention here my wife, Anna, and our 3 sons: Andy, Josh and Adin. All of whom have that 'sit back in your chair and smile' affect.


Who in your life impacted and inspired you, and how did they do it?
I have spoken of my grandfather, Andre Bialolenki, at length in various blog postings and it's difficult to condense the impact he had upon me and my writing in just a few short paragraphs. Suffice it to say that I would not be the writer, or the man, I am today without his support, encouragement and talent in my life. He was a spectacular writer who has left an incredible legacy (both personally with the inspiration he has left his family with and professionally with the work he did to put Miami Beach/South Beach on the map). He taught me to never stop writing, supported my writing when no one else believed, and I wish, so dearly wish, that he was here to see this day arrive.   Thanks so much for sharing your journey, Peter! And if you want to find out more about Peter, do check out his website www.peteradamsalomon.com.

An Interview with Author Tara Lazar

Already, Tara Lazar has made an indelible mark on the world of picture books--both via publishing and also by helping to inspire others as we craft and create. As the founder of PiBoIdMo, the equivalent to National Novel Writing Month for picture book writers, Tara is steeped in wisdom, passion, and perseverence. She currently has two picture books slated for publication, both from Aladdin / Simon and Schuster: THE MONSTORE (coming in 2013) in I THOUGHT THIS WAS A BEAR BOOK (coming in 2014). Her witty and wise blog, Writing for Kids (While Raising Them) features Tara's engaging writing style, great interviews and guest bloggers, and already has 982 followers. I'm deeply delighted to welcome Tara to Intersections today as she shares her inspiring journey with us!

Where and how did you first conceive of the idea for your first picture book now under contract with Aladdin/Simon and Schuster, THE MONSTORE?

I love word play. I spew out phrases like "picture book palooza" and "ballyhoo of boisterous beasts". So one day the title THE MONSTORE just came to me. I can't think of anything particularly special about that moment. But I had that title in my brain for several months before I ever did anything with it.

I had made friends with author and agent Jill Corcoran via social media and had the pleasure of meeting her in person at the 2009 NJ-SCBWI annual conference. I asked her if she would look at my picture book premises and suggest which might be the best ones to pursue as manuscripts. As I was writing up that email, I realized I had NO PREMISE for THE MONSTORE. So I quickly devised one: "A boy wants to return the monster he bought because it doesn't spook his little sister." Jill told me it was a winner. But I still didn't write it.

Then one day I just sat down and pumped it out. It flew from my fingertips. Everything just fell into place, from the "no returns, no exchanges" refrain to the perfect ending (which I won't reveal). My friend and critique partner Corey Rosen Schwartz read it an said "this will sell"! And I should mention that Corey has super-accurate publishing radar.

Can you share about your personal journey towards your current passion for picture books?

My journey began when I was very young. As soon as I was able to write, I was telling stories. When teachers announced we had a creative writing project, I literally cheered (I kept pom-poms in my desk). When I was about 8 years old, my friend Francine and I wrote a picture book. We lied and said it was published. Too funny. But I do remember reading Ally Sheedy's "She Was Nice to Mice" over and over again and realizing it was published by a KID. She was only 12 years old. If she could do it, I could. So I kept writing.

In high school I got in trouble for my creative writing. I wrote a scathing story about all the populars that went viral in the old-fashioned way: read for a buck in the bathroom. The story was such a hit that my AP History teacher read it to all his classes. It didn't have my name on it, but everyone knew it was my doing.

I used to meet with my 10th grade English teacher to talk about writing but I really didn't know what I was doing back then. I just wrote without any structure. That she actually read my drivel and encouraged me was miraculous.

In college I studied English and Creative Writing and it was my intention to work in children's publishing. But when I graduated and I had to take whatever job I could find, and jobs were scarce. I landed in computer books and quickly grew bored. My career then veered toward high-tech and it wasn't until I was pregnant with my second daughter that I finally decided it was time to pursue my life-long goal of becoming a children's author. That was in 2006 and I joined a kidlit critique group. I took a year off once my daughter was born and got really serious in late 2007. I started my blog, began attending events, and read craft books. In 2008 I was accepted to the RUCCL conference and that's when I knew I maybe had what it takes. And I am thrilled to report that I'll be the "success story" speaker at this year's RUCCL conference! Somebody pinch me!

How did you respond to rejections you may have received while submitting both THE MONSTORE and I THOUGHT THIS WAS A BEAR BOOK?

I was lucky because THE MONSTORE didn't receive many rejections, but that's because I didn't send it out many places. In January 2010 I submitted it to a NJ-SCBWI Mentor Conference but got very sick and couldn't attend. The organizers sent the editor critique to me anyway. When I got the envelope is was very thick and I thought, "Great. The editor hated it." So I didn't even touch it for a week! When I finally did zip it open, I saw lots of bullet points. But they were GOOD bullet points like, "Love the title and the premise. I was hooked on the first page." I couldn't believe it. She asked to see again it once I had revised.

That's when I thought it was time to get an agent. One agent got back to me right away with a "no" but said "I think this will sell, definitely." So that gave me another boost of confidence. I revised again, making the story stronger.

In the meantime, Corey had won a critique from author Jean Reidy and didn't have anything to send, so she sent THE MONSTORE. Jean loved it and tweeted about it. Ammi-Joan Paquette, who is an author and agent, saw the tweet and asked about the manuscript. So I received a referral to Joan, with whom I clicked immediately. I had other agents interested, too, but they had declined for various reasons---too similar to an existing client's work, not interested in my other manuscripts. I signed with Joan at the end of March 2010.

I THOUGHT THIS WAS A BEAR BOOK never got a rejection. It was a lucky score with my current editor. She loved the premise and I did a revision for her before going to acquisitions. But she did decline other projects I submitted between MONSTORE and BEAR. One of those projects is elsewhere waiting for a green light.

If you could share any advice with people in the following categories, what would you say to:

Writers: Go with your gut instinct.

 Parents: Go with your gut instinct.

Teachers: I hate quotations. Tell me what you know.

12-year olds: Don't be in a rush to become an adult. It's not better than being 12. Nothing's better than being 12.

Finally, can you share some of your most joyful and fun aspects of the writing process, and some of your most difficult parts?

The most joyful times are when I start a project full of hope and the best intentions. I get excited about new ideas with high-concept potential.

The most difficult part is when those stories just don't turn out the way you expected them to. I have a fabulous premise, but the right story for the setting and characters hasn't yet emerged. I'm on my fourth major rewrite. It can be very frustrating. I know this could be a hit and I'm eager to get it out there, but I also have to be patient and make sure I get it right.

Thanks for sharing your journey with us, Tara, and I am gleefully giddy about the release of both your books. THE MONSTORE and I THOUGHT THIS WAS A BEAR BOOK will both become well-read books in our home!