Seems like, lately, everything is a precursor to my eyes becoming watery and my head telling my heart, you'll be back, really, you'll all come back every few years to see people you've come to know, walk the obscenely curvy, narrow streets you now are no longer afraid to bike on, and catch the # 7 bus into town.
And yet.
Almost three years ago, Jennifer and I and Tyler--then not yet two years old--boarded a plane at Boston's Logan Airport wondering if, in fact, the apartment we'd leased on nothing more than a phone call and a York, England address would in fact, well, be real. We carried pretty much everything we owned, which by the time we boarded the plane was, well, whatever we could fit into three suitcases. We had enough money to make it a few months and then, well, then--
A few months turned into a few years and Jennifer finished a draft of her PhD thesis on human trafficking.
Tyler went from almost-two to almost-five and in that span concocted analogies that made my aspiring-poet / bathroom-humor-loving dad-self rejoice, such as: "Poops are like thunder; pees are like rain."
I worked as a dad, writer, night-teacher, and morning-paperboy.
Together, we all learned something we didn't expect to be the point of this journey. (But then again, what we learn from the adventures we choose to traverse is seldom what we think we'll learn them beforehand.) We learned that gender roles are tough to reverse, no matter how progressive a family is. But they're worth murkying up and seeing what results.
We learned that living without a steady salary is tough. Really tough. But the freedom to experience what an entirely different class of life is like is priceless. We learned that no judgment is ever warranted--no matter how well we think we might understand someone else's situation. (Or, as Mother Teresa put it much more succinctly, "If I am judging, then I am not loving.")
We learned that life is about learning. There is no getting it right the first time. Period. No one gets it right the first time. (And if they did get it right the first time, they probably just hid their earlier attempts!)
We learned that it's really, really hard to set one's heart on something, and then be rejected from that vision again and again.
And again.
And again.
Until finally, the dam breaks and--!!!--rejection, again.
And again.
But we learned that--trite though it sounds, I'm sure--this is where authentic love happens. In the seemingly endless caesuras after defeat, rejection, almost-but-not-quites, there is an incredible and breathless space for love. The kind of love that doesn't come easy and doesn't feel easy but that, when chosen, feels like your heart is, quite literally, bursting open.
In that openness, it seems there is space for the whole world to fit.
We learned that perfection is a ploy. And even if it weren't, we wouldn't choose it anyway. Perfection leaves nothing to imagination, mystery, depending on others, vulnerability, risk, joy, pain, hope. We learned that choosing the latter is much more fun.
We learned that people are remarkable. I mean, remarkable. People! We learned that people will stop and talk and invite you in to show you their pictures of America back when they lived there fifty years ago, laugh as your son plays with the cat, cry when they remember their own adventures, then ask you if you'd like tea.
People--old people--will smile at you and give you the thumbs-up on a morning paper route, totally disregarding the fact that you are a fully-grown man who didn't have time to shave that morning.
People--little people--will hug you and show you pictures and tell you stories and the light in their eyes will look to the light in yours and will beg, beg, beg for that connection of no words but kindness, seeing, really seeing.
People--regular people--will surprise you with a knock on the door, an offer to join in a basketball or football game, a pat on the back, a phone call or a text message checking in, a sunflower seed that will grow taller than you and next to which your whole face glows yellow.
People of all shapes and sizes and colors and faiths and no-faiths and languages and cultures will look at you and will be willing to connect. If you are willing to connect. And then everything that is assumed to be accurate and aligned and just-the-way-it-is is, well, no longer is.
We learned that it's true what the African proverb says, "If you want to go fast, go alone; if you want to go far, go together." And, man, it's fun to go far.
We learned that laughing on the couch in the living room when one's wife is Wonder Woman and one's son is Superman and oneself is Lex Luther provides two hours of fun that is free, ridiculously giggle-filled, and utterly exhausting.
We learned that watching the Queen ride through the streets of your city is a powerful experience, but just as powerful is talking with the man a few streets over who hasn't eaten in a while and of whom no one is lining the sidewalks to catch a glimpse.
We learned that having family who loves you--family that saw all your many imperfections growing up, knows you underneath the grand visions and the big dreams, loves you still, and always will. And the thought of going home to their arms is thrilling.
We learned that adventure isn't one big choice to do something wild. Adventure is a thousand small choices to lean towards things a little unlike what you always thought they would be like.
We learned that we know a lot less than we did three years ago, yet feel more full.
In two weeks, we'll board a plane (preferably the absolute cheapest plane that flies across the Atlantic) and head back to Boston's Logan Airport. And in the next two weeks, I'm going to cry a lot more. Because I'm grateful for the chance to have seen life from a different angle. And I'm grateful to the thousand teachers I have had over here in York--teachers of all ages and cultures and walks and perspectives.
Success, in its raw definition, didn't necessarily happen over here the way I'd thought it might. We're not going home wealthy and prestigious and as bestselling authors. But in that caesura that follows suggested defeat or rejection, there's a kind of success that burns inside of me deeper than anything else I have ever known or felt in my entire life.
It burns so hard and, were it to explode, I venture it'd be big enough to let the whole world in. The success being over here has taught me, in the simplest articulation possible, is this: to say thank you, and to mean it.
One Writer's Journey Through Parenting, Teaching, Writing, Faith, and Social Justice. A.E. Housman once claimed that "poetry is not the thing said, but a way of saying it." These are my attempts at a way of saying it. Too often, we erect walls where a few stoplights would do the trick. Consider these posts stoplights along the way.
Showing posts with label Imperfections. Show all posts
Showing posts with label Imperfections. Show all posts
Wednesday, July 24, 2013
Friday, March 22, 2013
Our Throwaways
As a kid, I loved going into my dad's workroom to try and build something. In my mind, the vision of what I would create with hammer, nails, and wood was magnificent--we're talking seamless symmetry, profound usage ability, all-around-wow-factor. The kind off thing I could bring in for Show and Tell to my second grade classroom with Mrs. Schwartz at John F. Kennedy Elementary School and watch all my classmates gaze and say, Dude, how in the world did Luke actually BUILD THAT?!
The reality of what I made during those workroom visits was, however, much different. One time, I tried to build a wooden rocket ship that would put NASA to shame. Instead, the pieces of my dad's scrap wood that I nailed and wood-glued together ended up looking more like a porcupine that swallowed a sink pipe than a rocket. Bent nails protruded from the thing and glue beaded around all it's edges. It's jagged sides all over could have sliced an onion or two or 343.
And my attempt to paint over these severe lapses didn't much help, either. Rather than make the thing look more like a NASA rocket, the paint had the effect of highlighting each mistake in a new and vibrant color.
So, as my seven-year old eyes examined what I had created and held it against the image of what I had wanted to create before I began working, I picked the whole thing up and dumped it in the trash barrel that sat below my dad's workshop desk.
The next day, it was sitting on top of the desk.
When my dad came home from work at Cigna in Hartford, I asked him how my failed attempt at a rocket made it out of the trash and onto his work desk.
"I love it, Luke, and I'm keeping it right there."
I didn't know what to say in response.
Fast-forward about a quarter of a century to this morning. My own four-year old sits at Jen and I's writing desk in our closet/study, crying. He's holding a piece of paper on which he has drawn airplane windows. He has stapled the end of the paper into a nose, and he has taped various parts of the paper to try and form landing gear.
But the paper has ripped, and the staples are coming out, and the tape is sticking more to itself than the intended plane. And so Tyler's tears are profuse.
"I'm throwing this away because it's all NOT GOOD."
And the tears.
Suddenly, all I can see is the rocket I tried to build so many years ago. The rocket I threw away.
So I pull Tyler onto my lap and I tell him the story of my wooden rocket, and how I thought it was so, so, so, so, SO bad. When I tell Tyler about what Bubba (my dad) did, and how the rocket sat proudly on my dad's workshop desk the next day, Tyler looks up at me through his own wet eyes.
"Really?"
"Really."
I pick up Tyler's airplane and hold it in my hands. "To me, son, this is beautiful. I love it."
The thing is: Jen and Tyler and I went back home for a visit this past summer. After two years away from America, everything felt new again. The backyard in which I grew up playing kickball and building forts and going on various missions felt oddly soaked with mystery and joy and possibility again.
And when Jen and I and Tyler set ourselves up for a week in my parents' basement, I sauntered into my dad's old workshop.
There, on his work desk sat my wooden rocket. Its nails still offensively bent out at every angle, the paint still highlighting each mismatched side and each bubbling ball of glue.
For the part twenty-five years, my throwaway has been my dad's inspiration.
So often, we make the mistake of thinking that it is only our successes, the images of perfection in our heads, our achievements and our triumphs that are memorable and meaningful. And sometimes, these things are meaningful and memorable.
But sometimes, it's not the image in our heads that matters, but rather that imperfect practicality that works outward from our hearts to our hands. We believe in something, we go for it, we create it as best we can. And should we hold the authentic creation up in front of us and feel defeated because it doesn't match the perfect image, we might do well to remember that our throwaways could end up being someone else's prized visions.
W.B. Yeats wrote in his poem When You Are Old, "How many loved your moments of glad grace / And loved your beauty with love false or true. / But one man loved the pilgrim soul in you, / And loved the sorrows of your changing face." I once recited these line to my wife, because I could find no better articulation of what love is. Real love concerns itself not with the perfections we find in one another or in our own creations. Real love is concerned with the pilgrim soul; real love is concerned with loving the wounds in one another, in ourselves, and in the stories we make and live.
25 years later, I am finally proud to close my eyes and see the image of that rocket I built--with its jagged edges and bent nails. Perfection wouldn't have been anywhere near as beautiful, or as memorable.
Today, may we seek to find the pilgrim souls in one another--to love each other not for the precision with which we think, live, or act--but because we've got our own host of jagged edges and bent nails. And may we seek to see our stories through the lens of the pilgrimage we're on rather than the distance between us and an image of success.
I'm thankful that I've now got a beautifully stapled, taped, and marker-drawn airplane on my desk to remind me.
The reality of what I made during those workroom visits was, however, much different. One time, I tried to build a wooden rocket ship that would put NASA to shame. Instead, the pieces of my dad's scrap wood that I nailed and wood-glued together ended up looking more like a porcupine that swallowed a sink pipe than a rocket. Bent nails protruded from the thing and glue beaded around all it's edges. It's jagged sides all over could have sliced an onion or two or 343.
And my attempt to paint over these severe lapses didn't much help, either. Rather than make the thing look more like a NASA rocket, the paint had the effect of highlighting each mistake in a new and vibrant color.
So, as my seven-year old eyes examined what I had created and held it against the image of what I had wanted to create before I began working, I picked the whole thing up and dumped it in the trash barrel that sat below my dad's workshop desk.
The next day, it was sitting on top of the desk.
When my dad came home from work at Cigna in Hartford, I asked him how my failed attempt at a rocket made it out of the trash and onto his work desk.
"I love it, Luke, and I'm keeping it right there."
I didn't know what to say in response.
Fast-forward about a quarter of a century to this morning. My own four-year old sits at Jen and I's writing desk in our closet/study, crying. He's holding a piece of paper on which he has drawn airplane windows. He has stapled the end of the paper into a nose, and he has taped various parts of the paper to try and form landing gear.
But the paper has ripped, and the staples are coming out, and the tape is sticking more to itself than the intended plane. And so Tyler's tears are profuse.
"I'm throwing this away because it's all NOT GOOD."
And the tears.
Suddenly, all I can see is the rocket I tried to build so many years ago. The rocket I threw away.
So I pull Tyler onto my lap and I tell him the story of my wooden rocket, and how I thought it was so, so, so, so, SO bad. When I tell Tyler about what Bubba (my dad) did, and how the rocket sat proudly on my dad's workshop desk the next day, Tyler looks up at me through his own wet eyes.
"Really?"
"Really."
I pick up Tyler's airplane and hold it in my hands. "To me, son, this is beautiful. I love it."
The thing is: Jen and Tyler and I went back home for a visit this past summer. After two years away from America, everything felt new again. The backyard in which I grew up playing kickball and building forts and going on various missions felt oddly soaked with mystery and joy and possibility again.
And when Jen and I and Tyler set ourselves up for a week in my parents' basement, I sauntered into my dad's old workshop.
There, on his work desk sat my wooden rocket. Its nails still offensively bent out at every angle, the paint still highlighting each mismatched side and each bubbling ball of glue.
For the part twenty-five years, my throwaway has been my dad's inspiration.
So often, we make the mistake of thinking that it is only our successes, the images of perfection in our heads, our achievements and our triumphs that are memorable and meaningful. And sometimes, these things are meaningful and memorable.
But sometimes, it's not the image in our heads that matters, but rather that imperfect practicality that works outward from our hearts to our hands. We believe in something, we go for it, we create it as best we can. And should we hold the authentic creation up in front of us and feel defeated because it doesn't match the perfect image, we might do well to remember that our throwaways could end up being someone else's prized visions.
W.B. Yeats wrote in his poem When You Are Old, "How many loved your moments of glad grace / And loved your beauty with love false or true. / But one man loved the pilgrim soul in you, / And loved the sorrows of your changing face." I once recited these line to my wife, because I could find no better articulation of what love is. Real love concerns itself not with the perfections we find in one another or in our own creations. Real love is concerned with the pilgrim soul; real love is concerned with loving the wounds in one another, in ourselves, and in the stories we make and live.
25 years later, I am finally proud to close my eyes and see the image of that rocket I built--with its jagged edges and bent nails. Perfection wouldn't have been anywhere near as beautiful, or as memorable.
Today, may we seek to find the pilgrim souls in one another--to love each other not for the precision with which we think, live, or act--but because we've got our own host of jagged edges and bent nails. And may we seek to see our stories through the lens of the pilgrimage we're on rather than the distance between us and an image of success.
I'm thankful that I've now got a beautifully stapled, taped, and marker-drawn airplane on my desk to remind me.
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