Get Your Looney On!

The Gant Family (Paul, Diana, Micah, Emma)

Mr. Looney, the 77-year old zany English teacher in The Looney Experiment, is all about depth, connection, and courage. The friendship he forges with 8th-grader Atticus Hobart is a testimony to what's possible when we are willing to get beyond the status quo for school, for ourselves, and for society.

To help spread the word about going beyond the status quo and into the realm of LOONEY, here are a few friends...

Ben Reynolds

Kathryn Erskine

Megan Devlin

Matt Devlin

Tamara Ellis Smith

Katie Benson

Susan Anderson

Jake Dustin

Deborah Underwood

Laurie Ann Thompson

Luke Someone or Other

Suka

Trixie

What does your looney look like?

#GetYourLooneyOn

Nonsense of That Sort

There's a beautiful line in George Eliot's Middlemarch where Caleb Garth is responding to the notion that people in town will criticize him if he makes a certain decision--not because of the quality of the decision, but because of how it will seem to others. And Caleb says in beautifully potent words: "Life is a sad tale if it is to be decided by nonsense of that sort."

It strikes me how important these words are when we consider the choices we make: what hopes do we have for our decisions? So much of our culture has become entrenched in results-oriented, data-driven decision making. Nowhere is this seen as clearly as in the consistent battles over school reform. With major foundations and corporations sponsoring bottom-line oriented reforms, teachers are becoming more and more like stock brokers: here's the raw material; make us a return. And the returns are so often tied exclusively to standardized test score results. 

As adults, our lives are consistent with this ethos. The standardized tests are still plentiful, though we call them by other names. We talk of how much money we make, achievements we garner, resume-builders we can claim, honors we've been awarded. These things are all helpful and can be such beautiful gifts, but when we value them first and foremost we set a dangerous precedent: we start making decisions based on the chances that these kinds of results can be achieved. 

The question is: what if they can't or aren't?

Are actions in our lives any less courageous or important or beautiful or inspiring or true if they are not results-oriented?

Parker Palmer talks about the need for faithfulness over effectiveness in this recent interview in The Sun. He says: 

"We need to change our calculus about what makes an action worth taking and get past our obsession with results. Being effective is important, of course. I write books because I want to have an impact. But if the only way we judge an action is by its effectiveness, we will take on smaller and smaller tasks, because they're the only kind with which we are sure we can get results. I'm not giving up on effectiveness, but it has to be secondary to faithfulness...And when people are faithful to a task, they often become more effective as it as well." 

The values we want to live by aren't corroborated by results. They are corroborated by the faithfulness with which we continue to live by them. Courage, kindness, grace, boldness, hope, and love aren't data-driven and they aren't dependent on results. They are values that can guide the way we teach, parent, write, and interact with others. The more we get used to thriving on value-rich interactions and pursuits, the more we can say with Caleb Garth that we don't care about what other people think--we don't care about "nonsense of that sort." 

When I was still in elementary school at John F. Kennedy in Windsor, CT, my oldest brother Christopher worked at the local grocery store, Geissler's. Chris was in high school, and this was his first job. My mom would often bring me and my brother Michael into the store to buy groceries just so we could go through Christopher's line and visit him. I loved doing this. Often, another man who worked at Geissler's was near Chris. His name was John, and he had emigrated from China with his wife, Elizabeth. 

In China, John has been a professor of Mathematics. But in America, he bagged groceries. 

One evening, after Chris had worked at Geissler's for a few months, he told us that John and his wife were coming over to the house for dinner, as they wanted to cook an authentically Chinese meal for us. That night ended up being one of the all-time highlights of my elementary school years. Seriously. John and his wife glowed with fun and excitement as they explained to us what they were doing in the kitchen. My whole family watched them, laughed with them, and just loved being around them and hearing stories of their lives.

Over two decades later, John's face is so clearly in my mind. The man's smile could power Manhattan. His exuberance  knew no boundaries, and his kindness as a man and joy as a teacher was so beautifully on display. I've been thinking of John an awful lot in light of this journey. As an elementary school kid I saw John as one of the happiest people I had ever met in my young life.

Now, as a man, I am sure that John went through great doubts--and I wouldn't be surprised to learn that he and Elizabeth struggled to make ends meet, or that John perhaps mourned the loss of his vocation and status as a Professor when eh came to America and exchanged it to be a grocery bagger. And yet John's life is no less beautiful or inspiring to me now than it was when I was a kid. John's smile is no less real or poignant because I have grown and seen some of the hard truths life so generously gives us. 

Instead, John's work in the world strikes me as even more profound. The impact he had on me as a young kid was to plant a seed which grew up inside my heart to say, essentially, who we are isn't tied to the results we achieve or the amount of money we make. Who we are is tied to the way we care for others--the love we give and receive. 

Sometimes I fight with this seed and its growth. Sometimes, I dang well want to take clippers and prune the thing way, WAY back. Sometimes--YES!--I want to chop the whole thing down.

But then it flowers. Little buds appear on the growth of what was once a seed, and when these buds open up they confirm what John first showed me long ago, what Parker Palmer talks about above, and what Caleb Garth scoffs about. What keeps us warm on cold nights aren't the results we've accomplished or the test scores we've garnered. It's the love we share. 

Rambo, Atticus, and Raskolnikov

In the March/April issue of the Believer magazine, I wrote a review of the Rambo IV tagline: "Heroes don't die...they just reload." Ever since I first saw the movie poster--four years ago now--that tagline has haunted me as a dangerous message of what media tells men: act tough, be invulnerable, hide who you really are.

Here's a link to the full essay at the Believer's site.

The Long View

It had been over a month since I'd been to the Fulford Bowls Club--a collection of men over 65 who play indoor lawn bowling. (And one 30-year old American.) Life has been pretty hectic lately, with Tyler fighting cold after cold, sleeping through the night a thing of legend and lore, and allergy attacks gathering around me like I'm a never-ending supply of sticky notes for a highly organized person.

So attending the Thursday night bowling just didn't make the list of Must Do in Order to Survive.

But this past Thursday, I attended again.

Ten years ago, I ran the London Marathon with my oldest brother, Christopher. By mile 20, the two of us were Jell-O men, stumbling forward under the weight of gravity and lunacy, in equal parts. Walking into Bowls last Thursday, my legs felt similarly. I wanted to keel over a few times--or at least just bowl from a chair.

But as I looked around, I felt heartened. So many older men welcomed me back. Told me they missed me. We shook hands. Talked about the weather. Talked about the wars they had fought in fifty, sixty years ago. Talked about bowls.

Always about bowls.

Ah, good wood there, mate!

Just ease up to the Jack. Bring it straight round there.

Oh, ay! That's a Yorkshireman's delight right there.

Every time down the green fake-lawn mat, these older men smiled with joy at the smallest attempt, the closest call, the possible point.

The thrill. Even of indoor lawn bowling.

And I was struck by something my soul was in desperate need of: the long view.

I talked with Ken, one of the men who landed on the beaches at Normandy when he was only 18 years old as a conscript of the British Army. He was paid twelve pence a day. By contrast, American soldiers during World War II were paid the equivalent of four pounds a week. Ken was making 84 pence a week. And he served at the invasion, then for two years in Palestine during terrible battles there. In both places, he was wounded.

Now, Ken smiles with ease. He jokes. He laughs.

Ken has survived. He has taken the long view of life, realizing that we pass through immeasurable difficulty and confusion and fear and sometimes horror, but somehow, we survive. And when we do, we keep on walking the path that falls before our feet.

I talked with Tony, who described how his four-year old daughter (now 39) would wake up screaming night after night after night. For six months. He and his wife had just had another baby, and between the four-year old screaming, the newborn with terrible colic, Tony and his wife had zero sleep. Literally. I watched Tony's face as he recalled the time.

"How did you make it through?" I ask, wanting to glean some kind of wisdom for our own sleep trouble with Tyler of late.

Tony shook his head, looked at me, and smiled. "The thing is, our daughters are beautiful human beings. You just have to love them through the hard stages and remember that you might always know what the hard stages are about, but they pass." Then, Tony smiled and patted me on the back.

The long view.

During the eight o' clock tea break, I talked with Henry, who lives and breathes bowls now, as a seventy-year old man. His face rose and fell like an ocean of glee as he described the five Bowling Clubs of which he is a part. The different match-ups, the visiting teams, what bowls means to him and how it gives him a place to belong.

And I couldn't help but think, here's a seventy-year old man, and he has passion and joy. He looks forward to waking up each day, playing bowls almost every night. He;s not mourning his past, regretting the past 69 years. He's living his 70th.

The long view.

Walking back from St. Oswald's Church Hall at nine o' clock with the wind whipping cold across my ears, hands, all I could think, over and over, was the long view.

I am often so accustomed to contemplating the short view. What is happening now? What if this or that circumstance doesn't work out? What if this hard stage lasts forever?

Such are questions that the vocabulary of the Long View doesn't know or acknowledge.

In bowls, you might have an incredible turn: your ball might land square next to the Jack, lean against it like there's nothing in the world that will take that point away from you. But then another player gets up and knocks your ball completely off the mat. Your point is gone. Lost.

Alternately, you may bowl a ball that is as far away from the Jack as ice from fire. But then another player takes a turn and inadvertently slices your ball, knocks it square next to the Jack. One point.

You never know. The game changes moment by moment. Like life. And you can't play by giving so much power to each turn that you lose the thread of the game.

You can't live by lending so much significance to every circumstance that you lose the narrative of your own arc.

It's what the men at Bowls are teaching me. It's what I am slowly learning to do--slowly learning how to see. The Long View doesn't throw away the moments, nor does it anxiously plan and prepare for the future. Instead, it simply approaches the present with open hands, receives it, but does not allow any present moment to crush or signify the worth of existence. The worth of a life is much more valuable than any one thing, much more authentic than any sound bit, no matter how treacherous or beautiful.

Because what is most miraculous about our lives of it all is this: the story. It's not the sentence that decides our fate, nor the chapter. These are but a part of the narrative. The story as a whole is what matters. The mistakes I have made before, the patterns of fear I may have allowed to beat in unison with my heart--these do not signify the substance of the novel of my life. Nor yours.

The Long View tells us to wait and see. Keep living. Keep going. Keep bowling. The next time down the lawn mat, we may just end up with an incredible bowl, one that we would have missed had we been caught lamenting our last turn.

It

We cut our fingernails,
Peel back the sleep from our eyes.

We pull the stray hairs off,
Watch them fall.

Crooked eyes make for
The straightest disguise:

We wear the face of humanity--
Our imperfect noises, ideas, cries.

In the face of despair,
We turn our tired eyes towards

Light.

However dark our lives,
We rise.

Against all logic,
all fear,
all confusion,
all despair.

We rise like rain
That bounces off rock:

Too bold too stay,
Too strong to remain.

Made for more than this,
More than superficial bliss,
We rise.

And while we stand,
The crooked of our pain remains,
But the straight of the sun dances
Like it's new again.

Like it's piercing holes in
Despair.

Like the Nothing that we
Worshipped was a sham.


(I wrote this poem while listening to the following song on YouTube over and over, and over and over, and over and over. And again. Hold Us Together by Matt Maher

Rambo, Conan, and the Impossible Male

Walking home from the city center today pushing Tyler in the stroller, my eye caught an advertisement for the new Conan the Barbarian movie plastered along the side of a double-decker bus.

Under an image of Conan as biceps-and-pecs-the-size-of-Texas, the movie's slogan was printed in all caps: BORN ON THE BATTLEFIELD.

Immediately,my mind jumped back to four years ago, when Jen and I were leaving the movie theater in Flagstaff, Arizona after having watched The Freedom Writers, and we saw the movie poster for the latest Rambo installment. The slogan on that one? HEROES DON'T DIE. THEY JUST RELOAD.

So, along my walk home, my mind started a little mini-synthesis paper. (Perhaps I miss the classroom a bit, or maybe the rain that had begun pouring made me pensive.) I combined both movie slogans and came up with one that presents a fairly accurate depiction of what many men see as their culture-proclaimed epitome of manhood is: REAL MEN ARE BORN TOUGH; THEY LIVE TOUGH; THEY NEVER DIE (BUT IF THEY WERE TO DIE, THEY WOULD DIE TOUGH).

But when I tried to enter the next layer of synthesis and try to make my slogan fit men generally, or even any man specifically, I was stuck.

Thing is, a lot of men profess drivel like this. A lot of us y-chromosome-wielding guys might claim that toughness, battles, and reloading guns is what masculinity is all about. But the truth is, no man really believes it. (Though he may be suckered into it by the way his dad raised him, one too many Rambo films, video games where you can kill your opponent a thousand different ways, and bully-peer-coolness culture in our schools.)

See, every male student I've ever taught at the middle, high school, or college level has all had one thing in common: a heck of a lot of pretense. (This, by the way, includes yours truly.) In other words, all men learn that sooner or later, you've got to act the part and try to look cool, act tough, and carry a big stick / gun / sword / mouth / name-brand-clothing-that-has-been-advertised-by-a-guy-with--yes--pecs-as-big-as-the-state-of-Texas.

But every man knows, deep down, that this is all one big load of baloney. Because we men know how we feel. We know that we get sad; we get happy; we get lonely; we get scared (even terrified); we get needy; we get contemplative (yup, even those guys who you'd never expect it from); we want to get real.

I think there are a lot of us guys out here who would rather push a stroller than wield a sword.

Writers like Robert Bly, who popularized the notion of this secret, innate-warriorness / wildness / aggressiveness that all men possess and which has somehow been crushed by women, talk a big game. Their words get a lot of guys fired up, thinking to themselves, Hey, maybe Bly is right. I am a warrior. I need a sword! I need a gun! I need to tell this nagging lady to be quiet so I can lead the way! After all, Bly must be right because, hey, didn't they give him a Pulitzer Prize? And didn't John Eldridge translate Bly's notion of the wild man for the Christian male with Wild at Heart?

But in reality, maybe we men are starting to come to some new conclusions:

1. Courage isn't necessarily about one big moment of power and aggressiveness with a sword or a gun. It might be more about the way we live; the way treat people; the way we learn to love when it's excruciatingly hard to do so.

2. I'd just as soon drink a cup of tea and watch a rom-com with my wife rather than kill a thousand people on a video game.

3. It's a heck of a lot more fun to be honest rather than hide. Hiding gets old. Boring. Tired old script; same old hiding places. Ugh.

4. There's got to be something better out there--some better model.

And there is!  Men like Atticus Finch present a far more beautiful--and courageous--notion of what authentic masculinity should look like (and could, really could, look like).

In the Acknowledgements section of his bestselling book Guyland, author Michael Kimmel writes movingly about the wish he has for his sons. He quotes a poet and Pulitzer-prize winner (three times!) far different than Mr. Bly. Kimmel cites Adrienne Rich's wishes for her own sons--that they would "have the courage of women" regarding his sons, too.

What a beautiful desire: that we men would learn the courage of women--the courage to love when it's hard, to live not only the moments of glory but also the moments no one sees (that are no less valiant or brave). To walk among the noble souls who live not only for battle, but for peace.

Conan and Rambo may wield power when it comes to the masculine ideal, but men like Atticus Finch have another kind of courage and power entirely: the masculine real. real love; real conviction; real courage for the long journey. And I, for one, am a heck of a lot more interested in that.

Walking to See Atticus Finch

This past Friday evening, I walked into the city to see an adaptation of To Kill a Mockingbird at the York Theatre Royal on St. Leonard's Place. I first read the book when I was teaching at Farmington High School, and a colleague of mine, Russ Crist, was surprised that I had never before read Harper Lee's classic. So he gave me a copy of the book, and I read it with my lower jaw hanging off my face the entire time.

Among other things, I had the distinct impression that a question had been answered in my heart.

Namely: What does it mean to be a good man?

Atticus Finch was my answer. When I read the book for a second and then, recently, a third time time, I saw more and more to the character of Atticus Finch.

But walking into the center of the city where I live to see a real, live Atticus recite the lines which have been committed to my heart was an expedience unlike any previous play or movie had offered. The streets into the center were calm, and the occasional car whizzed past, but mostly the quiet, cool air encouraged me to think deeply and wonder willingly.

Even in the center of the city--where the Viking Festival was in its climax and an estimated 40,000 tourists were visiting--it still felt calm, quiet, almost like I wanted to ask, This is York, right?

I arrived to the theater twenty minutes before the show was to begin, and just reading the title To Kill a Mockingbird was enough to give me goosebumps. I already began to feel sorry for my friend Phil, who would meet me to view the show. He was rushing into the city on his bike after giving his young daughter a bath.

When Phil arrived, we made our way through the throbbing crowd within the entrance of the theater and found our seats in the gallery.

Now, I thought a gallery was where art was displayed, and also something that could be used in the phrase "peanut gallery" which meant, loosely translated, "a place high up or behind."  The gallery where Phil and I sat was both very high up and very behind all of the other seats. We were in the front row of the gallery, which I thought was wise of me to select, but when I saw the front row, I realized that we would have to lean forward, our elbows planted on the rail in front of us, to be able to see the whole show.

But I would have sat that way regardless.

From the moment the curtain rose to its decent, my eyes were wired to the stage, listening to Scout tell the story of her father, and the story of her own journey towards Experience, by way of a crash course in courage and justice.

I cried.

Yes.

Multiple times.

And when, at the close of the play, Scout remarks to her father, "Boo Radley is actually a pretty nice man," Atticus replies, "Most people are, when you really see them."

That was it.

Man, that was it.

The tears flowed like the River Jordan. (Or like, here in York, the River Ouse.)

The thing about Atticus Finch is that he fought the case that needed fighting. He didn't take it because he thought he could win. He took Tom Robinson's defense because it was the right thing to do.

So much of the ways we live is based on results: what will happen; what our chances of winning are; what the expected yield is; who will see what we do; the praise we might garner; the pats on the back we might earn.

More important than worrying about how we'll be received or what we'll accomplish, Atticus Finch knew that the way WE see others matters more.

Much more.

Walking home through the quiet streets of York, my mind played the line again and again.

And when I walked through the door of our rented home on Lesley Avenue, seeing my wife in our living room, peeking into Tyler's room and praying over him as he slept peacefully in his uptruck pajamas with footies, and climbing into bed myself, the only line written on my heart was, indeed, his.

When you really see them.

Oh, to see that way. To see through eyes that hold out hope and push away judgment. And to fight not because our chances of winning are good, but because the truth behind the battle is worthwhile.

What a way to see. What a way to live.