Thursday, October 18, 2012

One True Thing from Beverly Williams: Everybody is Somebody


In 2007, English Language Arts Teacher Beverly Williams was honored with a Boston Educator of the year Award for her work at James Timilty Public Middle School in Roxbury, MA. I have been honored to correspond with Beverly over the past few years regarding writing projects and teaching inspiration. A former student of Ms. Williams has this to share: "By believing in me and holding me to very high expectations, Ms. Williams raised my level of confidence and made me feel that I can achieve great things." I am delighted to share Beverly's ONE TRUE THING today. 

Everybody is Somebody
by Beverly Williams

If we do not teach our children about civic responsibility, we will continually suffer the injuries from insensitive and disingenuous behaviors. The emotional, social and declining psychological health of our children will take us all out of here before global warming.

Social media is overwhelmingly unfolding the message that it is our constitutional right to have freedoms far beyond "establishing domestic tranquility." As an educator, I wish to see the Civics class as I remember back in my day. 

I learned to be a citizen. I developed a social consciousness that said to look out for my fellowman and treat others with respect.  When I prospered I was taught to give back to my community ungrudgingly, not just look for opportunities that advanced my own agenda. I learned there was honor in blue-collar jobs and if people did not go to college, or, become a superstar entertainer, they still were somebody.  

I was taught to be proud of my country and to respect not only my neighbors but the servicemen who fought for my freedoms, and for my president, as well.  Voting wasn't a privilege; it was an obligation. It was my responsibility to make this world a better place to live in.  I don’t think the children of today realize this and I weep for them, and for us.

Sunday, October 14, 2012

One True Thing from Mr. Looney: Love is Effort, Not Entitlement


As a fifth-grade student, I was confused, insecure, hopeful. Very confused, very insecure, very hopeful. And when I walked into my first day of class that year at John F. Kennedy School in Windsor, Connecticut, it took only moments for my young brain to register that this year was going to be something beyond cool; it was going to be magical.

Mr. Looney stood at the front of the class, holding a pen like it was gold. He talked about stories, he talked about Robert Frost (his favorite poet), he talked about Flair (the name for his self-designed writing program that included enough inspiration to light a rocket ship), he talked about love, about the stuff that matter sin life, and about the power of learning. His curly hair rising off his head like ideas-made-tangible, Mr. Looney became, for me, the very essence of creativity and passion.

He encouraged all of his students to write in ways that made our hearts beat fast. As I previously shared on author Peter Salomon's blog,  Mr. Looney's Flair program included lots of creative writing,  revision, reading to one another, and sharing our imaginative narratives and ideas with him and with the class. We kept folders, and I often wrote about these family vacations my family took to Cape Cod. Only two hours away from us (Windsor, Connecticut), nevertheless we always managed to get lost, and we’d end up taking four or five hours, easy, and there’d be chaos in the car–until finally, we’d pour from the navy blue Ford station wagon onto the Mayflower Beach, build a sandcastle big enough to shame a blue whale, and watch the tide take it away, piece by piece. Mr. Looney laughed with tears in his eyes as he read my stories–and the way he made me feel like I could use words to create mood, emotion, possibility…well, that never left me.

Mr. Looney touched something inside me and woke it up. And ever since, I’ve tried to never let that part of me go back to sleep. 


When all of us students got Mr. Looney Robert Frost poetry books as teacher-gifts, he smiled and said thank you as if each one was a divine gift from God, shuttled to Earth straight to his desk, and it wasn't until years later that I finally asked myself, How many duplicate Frost collections must he have!? But Mr. Looney is the kind of man for whom there is never enough poetry, never enough life and love and passion and joy: because he creates it. His energy and enthusiasm couldn't be contained, and both sprtead out to all of us--his students. The reverberations and ripples are endless today: a whole army of story-loving (and living), imagination-thriving kids whose hearts he touched in remarkable ways that still walk with his words today, decades later.


So it's an honor to include ONE TRUE THING from a man I've admired for many years, my fifth grade teacher. 


Love is Effort, Not Entitlement
by Bob Looney

I have learned no person should expect lasting love or friendship from another.  These are not entitlements; they require effort.  You need to nurture the relationships which are important to you.   As you grow and develop, you must display tolerance and acceptance of the inevitable changes in others.  Ego is a detriment to a relationship.  It is not beneficial if you think it is important to consider whether you or the other has given more.

Yes, loving relationships require diligence and effort, but they are worth it, for they give incalculable meaning to our lives.

Wednesday, October 10, 2012

Acceptance

The perks of working as writers / researchers / night-class teachers: yesterday, as Tyler was in pre-school in the morning, Jennifer and I rode our bikes to the Starbucks in town, ordered two coffees, lugged backpacks heavy with books up the stairs to two comfy chairs whereby we look out the window, and also at one another.

Our goal was reading--Jen for research purposes, me for novel purposes. But soon into a few sips of our coffees, we both sensed that our outing would be more one of those delve-deep-and-reflect missions than accomplishing much reading. (But hey, later that night, Jen would be elbow deep in research and I would be teaching a Public Speaking class, so we gave ourselves the leeway to let the momentum carry us where it would.)

It also happened to be our eight-year anniversary of when we first became engaged. I had proposed on the rocks of Bearskin Neck, Massachusetts right outside of My Place by the Sea restaurant (where we dined after Jen had said yes, and a bus-tour of senior citizens from Texas had clapped heartily to celebrate with us). So it felt particularly appropriate for us to have one of those conversations where inspiration sparks inspiration sparks inspiration, and love just kind of hangs out all around.

The floods that swelled from the River Ouse here in York only a week ago had dissipated, leaving the bike trail along the river free and open. So we rode it, then rode the caffeine of the coffee, then rode the words and meanings and messages of the conversation. And I'm still thankful, thankful, thankful, that my bride said yes eight years ago.

After our conversation, we did actually do a little "work." And during that space of literary-focused time, I wrote the following poem:

Acceptance

We walk, and should our shoes scuff silence
Shame balloons and we cling
To its strings.
Higher, higher we rise
In condensating skies until we
Can view every mistake we ever made.
From that vantage point (as the
Strings stretch the skin of our hands
So tight we bleed)
We learn--nor know--nothing.
Should we sink back down to
Where the divine is always married
To reality, we find
Space for silence, and words for shame
So that it cannot rule our lives again.

Monday, October 8, 2012

One True Thing from Penny Blubaugh: Staying Power


For today's One True Thing, I am thrilled to welcome author Penny Blubaugh. Penny is the author of the ingenious and powerful novel Serendipity Market, which received a starred review from Kirkus and about which Booklist raved: "This beautiful novel will be a delight to those who enjoy spin-offs of fairy tales and folktales. Readers will find themselves flipping back and forth to figure out how all the different stories hidden in the fold come together to form the greater whole of this charming book." 

Penny is also the author of Blood and Flowers. She is an inspired word-crafter who is represented by Erin Murphy at the Erin Murphy Literary Agency. Penny is a teen librarian in Chicago in addition to her work as a writer. For more about Penny, check out her website at www.pennyblubaugh.com. 

Staying Power
By Penny Blubaugh

One true thing I’ve learned about life is that there are things that I know that I might have lived very happily not knowing.  This is because most of what I know in the category of “important” deals with life lessons.  Life lessons can be hard to take.

Life lessons are usually learned because of a bad situation that climbed up the cliff.  The climb made the situation go from bad to worse.  And then the situation jumped. 

Once I recover from the fall, once the bruising and battering have gone, the lesson stays.  It might make me smart.  It might make me careful -- I don’t want that to ever happen again.  It might makes me reckless -- I survived and I can do anything.  Who knows?  It might even make me sexy.

Mostly, the lesson makes me realize that I’m a survivor, that I have staying power.  The next time something jumps, I’ll remember the last time.  Even though I’ll still feel like I’ve been gut-punched, I know that I’ll eventually get through this, whatever this happens to be.     
   
It’s the eventually that’s hard to take.  But if I let myself remember, I’ll know that I have resiliency.  



Wednesday, October 3, 2012

One True Thing from Chris Reynolds: One Trunk

Chris and I during an adventure to Washington, D.C--
in the office of Senator Chris Dodd

When I was in the eighth grade, I started running with my brother Christopher. I had never gone more than a mile before, but on my first run with Chris, he challenged and encouraged and inspired me to stay with him and make it the whole 3.5 mile loop. Ever since then, Chris has been a mentor, a best friend, a role model for living with passion and hope, and a partner on various (crazy?) dreams. Chris and I hiked Mt. Washington together, ran the London Marathon together (finishing with excruciating pain but holding hands), and partook of many French Toast Nights, where we would make 30 or so slices of french toast for dinner and then, well, eat them for dinner.

Chris has an infectious sense of humor and a depth of contemplation and love that amazes me. He is married to the lovely Mandy Reynolds, and they have two delightful sons Caleb and Evan. Chris is a social worker with the State of Connecticut, and counsels deaf people in their vocational and personal journeys. Chris is a man with incredible insight, remarkable compassion, and unconditional love. So I'm thrilled that my brother Chris shares this first guest post in the ONE TRUE THING series...

One Trunk
by Christopher Reynolds

Life works with or without our permission. We have many beliefs and comforts that we dictate. Others do the same. We have, rather fortuitously, created an amicable landscape in which these things thrive. However, the problem is when we meet up with each other. Life doesn't care. 

Our reactions are infinite commodities to a finite entity. Entropy pervades in the guise of well-meaning thinking, a charlatan hiding in bright sunlight. 


So we go, a sense of eternity in our minds but forgetting that our Creator is the tree to which we hang on as leaves. So many branches and one trunk. 

Sunday, September 30, 2012

Choose the Spoon: Reflections on Imperfection after Two Years Dreaming

Two years ago today, I had my first and only panic attack. Jennifer and I and our almost-two-year-old, Tyler, had flown red-eye from Boston to London, then taken an hour-and-a-half taxi ride from Heathrow Airport to the Kings Crossing train Station that cost us about half our savings. Then, the train ride into York cost us the other half of our savings.

We had chased down a dream of ours, and we arrived (finally) into York amidst cascading waterfalls from the skies (some people call this "rain"), a massively overtired toddler, basically no money, and a whole heck of a lot of hope. We were changing roles, changing countries, changing cultures, and we were (to be honest) pretty naive about the whole thing. My mantra was, It'll work out.

When the panic attack arrived that night at three in the morning two years ago, a question had arisen in my mind responding to the mantra--simply, this: What if it doesn't work out?

And, as it turns out, a question like this at three in the morning doesn't exactly bring peace. Or hope. or trust. Or really anything good. Finally, Jen helped soothe the attack, and I fell asleep. But the following weeks were filled with that nagging question, What if it doesn't work out?

Fast-forward two years. Jen and I are standing in the kitchen our our little rented home, and fireworks are going off. I'm not talking figurative fireworks; I'm talking a real-live firework show occurring a stone's throw from our kitchen window. Reds, yellows, blues--all sparkling and blasting and booming. And Jen and I can't think of any occasion.

So we decide something: it's our two-year anniversary of chasing down a dream--even though it may have seemed half-baked at the time. Because it had to be half-baked. If we had fully baked that dream two years ago, we would have pulled it out of the Oven of Reality Checks, stuck a fork in it, and remarked, Whew! That baby is toasted! No good!

Two years later, life still hasn't afforded us much more certainty--except, maybe, a line that Atticus Finch constantly told his children: It's not time to worry yet. The more practice we have trusting, waiting, hoping, and believing that things will be alright, the more we learn to, well, trust, wait, hope, and believe that things will turn out alright.

Tyler: Looking UP!
In her stunning novel, Middlemarch, George Eliot shares this quip: "Even Milton, looking for his portrait in a spoon, must submit to have the facial angle of a bumpkin." Maybe the greatest English poet of all time can't withstand the force of certain reflections, and would have to deal squarely with his own imperfection. I guess this is true of all of us: in one way or another, we're all bumpkins. And we either accept that fact about our experiences, our dreams, our views, saying, It's not time to worry yet, or we don't.

After two years of this adventure abroad, I choose the spoon. Because when all is said and done, I think the spoon prevents a panic attack much better than a crystal clear mirror. Sometimes, we don;t need to see and understand everything perfectly; rather, we need just enough to get by, just enough to keep taking one step of faith after another. And maybe, we bumpkins can laugh a little while we walk.


Wednesday, September 26, 2012

Why Literature?

I'm at the University of York Library now, sitting across from Ali, a man who emigrated from Turkey to the UK in the 80's, and after a couple decades in London, is now at York earning his MA in Social Work. Ali talks with a wide smile, laughs often, and after a few minutes, we connected about our common love of the Russian novelists.

"Dostoevsky!" Ali shouts in a whisper, above the construction noise from three floors below us. We sit at opposing desks by a window that opens onto a panoramic view of the upper portion of campus.

"What was your favorite novel of his?" I ask.

"Crime and Punishment, definitely Crime and Punishment. I read it three times--and every time Raskolnikov's inner life is more and more rich, more complex than the time before!"

I remember reading the book a decade ago when I was in England for a year abroad. My professor gave me one week to read the thing, and--as a slow reader--I spent about nine hours a day reading. I was enthralled by Raskolnikov's mental premise that God does not exist, and that truth and love, therefore, are imagined notions whereby no absolute actually justifies or negates any of our actions. Instead, Raskolnikov posits, how we think about things is what makes them so.

So Raskolnikov commits an act of murder against someone towards whom he feels no hatred. If his premise is substantiated, then he will be able to continue on with his own life and feel no deep remorse, no inner turmoil.

He cannot.

Raskolnikov's every move becomes more and more laborious, his very heart is ripped inside of him, and it is only the love of Sonia--a woman who sees the very depths of his violent action and loves him nonetheless--that "saves" him from being forever lost to his own notion of nothingness.

In short, Sonia, thorugh action, shows Raskolnikov both the power of love and the power of grace--and that our words, our actions, our lives matter. Nothing is for nothing. God exists, and Dostoevsky writes his soul out to prove love in a way that no research, how-to, scientific, or analytical book can.

In short, literature proves love.

Ali asks me what I'm working on in the library, and I tell him about the novel in progress, Fortress, about a Palestinian boy and a Jewish girl--both of whom have emigrated to America due to violent attacks on each of their families near Gaza. They become friends through an unlikely encounter at the high school, and through a  run-down movie theater in their town, a Grandma with Alzheimer's and her precise recollections of 12th century York, England, and a court case, their friendship creates something neither of them could have expected.

Ali nods, explains that he is from Turkey, and says that we need literature that aren't often popularized in the mainstream.

When I ask him what purpose literature serves, he looks away for a few moments, then looks back at me with a broad smiles and he laughs. "Novels show us voices and stories we might never have known."

As Ali continues working on his essay for his Social Work class, and I work on the novel, every once in a while we look up and talk over the small end-boards on our desks. I ask him what the essay is about, and he says it explores mental health care in the U.K. He asks me why I type so fast with my pointer fingers. I can only laugh for a reply.

Working across from Ali, the world feels small. In a good way. Not only is literature a bridge for compassion and understanding of other characters and situations, it is also a way to enter into the life of another--however brief that entrance might be.

And when a man from Turkey and a man from America can meet in a library in Britain and talk about their love for Russian literature, it the truth of Dostoevsky's claim feels pretty dang solid: literature proves love. And maybe that's why we get lost in a truly great novel: because as we read, something about us is found.

Monday, September 17, 2012

Guess Who

We recently borrowed the classic game of Guess Who from the York Toy Bus, and for the past five days our house has become a veritable Guess Who Tournament Locale--which has, of course, caused me to see life through the paradigm of Guess Who. And guess what?

There are an awful lot of wonderful, kind, generous, and compassionate people all over the place--from the sidewalks here in York where Tyler and Jen and I travel (read: where we also sometimes feel kind of like aaahhh, no more sidewalks, give us something that moves fast and gets us places in less than a forty-minute walk) to the hometowns of Windsor and Sandwich where we each grew up.

In Guess Who--in case you haven't played in twenty-five years (which was my guess-whoish-gap), the object of the game is to discover your opponent's chosen person (Hans, Stephanie, Daniel, so on) by asking a series of yes or no questions. Each time you learn more information, you close the tiny little doors to cover up more people who don't fit the bill. As Tyler is still three, the game goes more like this:

Tyler: Who is the person you chose?

Daddy: I chose Hans [a perennial favorite of mine].

Tyler: Oh, okay, now let's guess who your person is! Does your person look like this? [points to Hans]

Daddy: Yes!

Tyler: Oh, cool! Now let's try to guess all the other people!

In transferring the wisdom of Guess Who to the bigger game of life, there are days when gratitude is so immense for the people who wait with gaping smiles behind so many doors.

People like Joan, an 82-year-old woman who lives one street away from us, whom Tyler and I see almost every day as we walk to the swings. Joan is often accompanied by her fraction of a dog, and she greets Tyler and I smiling. We stop and talk for five or ten minutes about the weather, about what York used to look like forty years ago--when she and her husband first moved her--and about how she doing since her husband died five months ago. Joan is a warm person who loves watching Tyler be, well, Tyler, and it's hard to fight for joy since her husband passed, but Joan wakes up every day and tries.

People like Ian, a 55-year old man who works at the Co-Op across the street and whose white-gray beard hangs almost low enough to act as a secondary broom. Ian smiles wide and talks like talking is what matters in life--asking how Tyler likes pre-school, sharing wisdom from his own years parenting two daughters, and describing the lovely places of York he recommends we visit.

People like Tom (who, when he first told me his name, I mistook for "Tub" and called him that for far longer than I should have), a man who own a small plot of land near the River Ouse and keeps hens, grows raspberries, and keeps bees to make divine honey. Tom isn't much of a talker, but he'll let Tyler bring home a fresh egg or two, taste some perfectly-ripened raspberries, and show Jen and I and Tyler his bee-keeping getup with a wide smile. Tom's wife, Maureen, once gave us two sunflowers and they grew taller than Tyler.

These people--and many more like them--I find on the good days, when the writing is going well and Tyler is behaving and sleeping at night, and it isn't raining cats, dogs, and alligators. And that's cool. But when I find these people in my path on the hard days--when Tyler has been up coughing or with nightmares, and the umpteenth rejection of a certain manuscript becomes an excruciatingly heavy load to bear, or when finances just seem too tight if we can't go for that cup of coffee I was craving...then seeing these people matters even more.

Because in the moments when little makes sense, and little feels secure, or when little things just feel, well, BIG--then seeing people like Joan, Ian, Tom (Tub), and Maureen--it becomes the difference between hope and despair.

And when--in those quiet, contemplative moments--I zoom out on life a little, and look across it rather than into only the turf I'm standing on, I see that these kinds of people have always been there. Always are there.

People like my mom and dad, Kathy and Harry Reynolds, who had their fair share of pain and obstacles raising five boys (all of us bearing our own set of problems and challenges) and the struggle to survive working jobs they might not have loved, waking up at night for hospital visits, nightmares, asthma attacks, allergy explosions, and whatever else we threw at them: they kept fighting. They worked hard to love us with all the strength they had, and they kept fighting for their marriage, too. I watch them now--taking trips, holding hands, catching a movie--and they seem to me metaphorical for going forward, even when Life knocks you down. And their mantra to me and to my brothers is inspiring: there's a place for you; keep dreaming; keep believing.

People like my in-laws, Susan and Wendell Anderson, who are some of the most generous people I know. They open up their home and make people who come by for a party, a meal, or an overnight (or a few) feel as though they're home. This past visit to America, eating Susan's divine cooking and watching all the organic, healthy stuff that goes into it, and watching Wendell teach Tyler how to be a dentist, it's beautiful to see how they give, and give, and give.

People like librarians, who chat to you when you're taking out a book, letting you know they loved it, too, and you're in for a treat.

People like fifth-grade teachers you see after a guess-whoish-length gap, who remember your name and you remember theirs, and you're suddenly over the moon about all the stuff that they taught you which you didn't always remember or realize all along.

People who simply remind us that even though life dishes out it's fair share of pain, rejection, and foiled plans, along the way there are all these doors, too. Doors behind which smiling faces--akin to Hans--are waiting to connect with you. Perhaps with a small conversation about the weather, perhaps with a raspberry or two, perhaps with a smile that sometimes helps provide the smallest crack in the veneer of despair.

I'm grateful, grateful, grateful for the presence of these people in my life, and I hope that Jen, Tyler, and myself can be a part of somebody else's game of Guess Who. I hope that the doors we open to see despair broken in our own lives help us be the kind of blessing that hides with giddy, kid-like glee behind the doors of somebody else's turn.

Maybe, after all, Philo said it best: "Be kind, for everyone you meet is engaged in a battle." And maybe Jesus said it even better than that, "Love your neighbor as yourself." I don;t know if Philo or Jesus ever played guess who, but I'll venture my own guess and say if not, they'd love it.

Because guess what? Love matters, and it matters in the tiniest ways we can't even begins to imagine. Big acts of great love, yes, but also the tiny acts of love that might otherwise seem inconsequential. They never are: every microscopic act of love strikes a blow to the hard ground of despair. And it isn't long before the frozen soil cracks, and we find that we can now plant where we once wept.